Hitchcock’s Dark, Twisted London

Look at my creepy, creepy eyebrows

Oscar Homolka is a man of secrets.

*Spoiler alert!

Who isn’t a sucker for a world that never existed?

For instance, look at the London in the opening scenes of Sabotage (1936), a tense thriller from Alfred Hitchcock‘s pre-Hollywood period. This London so well-behaved that a bobby reprimands a green grocer for dropping a piece of lettuce because someone could step on it and “break ‘is leg.”

Break ‘is leg, indeed! Imagine a law enforcement officer with enough time on his hands to make a fuss about lettuce! It’s ridiculous!

Yes, it would seem like a simpler life, in a simpler time, unless you’re stressed-out Sylvia Sidney and married to creepy Oscar Homolka.

Homolka is Mr. Verloc, a slightly odd man who owns the Bijou Cinema. He has a thick accent and sinister eyebrows, and is inexplicably married to a much-younger, beautiful British woman (Sidney). Sidney’s character, in between running the theatre and fixing gourmet meals, looks after her kid brother (Desmond Tester).

Unbeknownst to everyone, Homolka’s character moonlights as a saboteur. In the film’s opening, he puts sand in an electrical generator which causes a power outage. But this does not satisfy his sabotage superiors, and they ask him to do something more sinister, such as planting an explosive device in a cloakroom in Piccadilly Circus.

It is remarkable that, in this movie, people are not naturally suspicious of Homolka. He is a menacing character who always looks like he’s trying not to strangle you. It is only when evidence against Homolka begins to mount, that the police come sniffing around the theatre. The grocer next store (he of the dropped lettuce) quizzes Homolka. “You must’ve been showing some funny sort of films,” he says accusingly. “You know, perhaps a bit too odd.”

Homolka is told to plant the device early on a Saturday afternoon; it is timed to go off at 1:45 pm. However, because the police are watching him and his house, Homolka cannot leave. He has the bomb but there is no way to dispose of it.

However, he realizes the boy, his wife’s beloved kid brother, could transport the bomb without arousing suspicion. Yes, of course! The bomb could be disguised as film reels that need to be returned to Picadilly Circus! The boy need never know the truth because surely he could deliver the package in time!

This is where Hitchcock toys with his audience. Turns out the kid brother doesn’t walk, he meanders. He becomes distracted by a street performer who demonstrates personal grooming products. Then he stops to watch a parade. Finally, realizing the time, he decides to take a bus, even though the flammable film reels (not to mention EXPLOSIVES) are not allowed on public transport.

Hitchcock never fails to remind us of the time of day; he keeps showing clocks that are counting down. It’s 1:30, and the boy is still on the bus, innocently clutching the explosives. It’s 1:35; now 1:40! The bus is stalled in gridlock traffic! It’s 1:43! 1:44!

Well, the boy comes to a bad end and at that moment you are filled with rage and disbelief. Suddenly, this is no longer genteel London where bobbies fuss over dropped lettuce. This is a dark, twisted London where saboteurs kill innocent children and shrug it off as the price of doing business.

Some movie scenes will always stay with you. You may forget the actors, or the title, or details of the plot, but there are certain things that will never be erased from your memory. If you watch Hitchcock’s Sabotage, we guarantee the scene in Piccadilly Circus is one you won’t easily forget.

Sabotage: starring Sylvia Sidney, Oscar Homolka, Desmond Tester. Written by Charles Bennett. Directed by Alfred Hitchcock. Gaumont-British Picture Corp., B&W, 1936, 75 mins.

This blog is in support of the Film Preservation Blogathon, hosted by This Island RodFerdy on Films and The Self-Styled Siren. Click HERE to donate to the National Film Preservation Foundation.

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5 comments

  1. It is quite troubling when they kill Stevie. Hitch had a bad habit of reminding his audience that terror could strike in the most mundane of situations.

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  2. Ruth, all of Alfred Hitchcock’s films grab me by the throat to one degree or another, but being a mom, SABOTAGE particularly gets me in the gut. Poor Stevie; losing his young life because of one man’s evil and one boy’s unsuspecting innocence, poor little guy! (Wonder if this is how so-called “helicopter parenting” came about? :-))

    **SPOILER for those who haven’t seen SABOTAGE** I cried when Stevie was killed, and when Sylvia Sidney stabbed that rotten S.O.B., I jumped to my feet, shouting, “Yeah, hon, let him have it!” Fortunately, I was at home watching it on TV, and my dear hubby is quite accustomed to my responses to movies that grab me; he says I watch movies and TV shows with my entire body! :-)

    Ruth, kudos to you on your moving SABOTAGE review!

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