Ann Sheridan’s Film Noir Marriage

Ann Sheridan has a bad feeling about this... Image:
Ann Sheridan has a bad feeling about this. Image:

We just discovered a gem of a film with a truly compelling performance by the oft-underrated Ann Sheridan.

Woman on the Run (1950) is a low-budget but engrossing tale. It’s also an unconventional film noir.

In a typical noir story, a male protagonist is trapped in dangerous circumstances, unable to ask police for help. Adding to his predicament is a menacing hoodlum and a treacherous femme fatale.

But in Woman on the Run, the protagonist is an ordinary woman, trapped in a marriage she no longer recognizes.

Woman on the Run, based on a short story published in 1948 by Sylvia Tate, is essentially a race between police, a killer and Sheridan herself to find her husband. Ross Elliott plays the husband, a man who has the rotten luck of witnessing a murder – then decides to disappear.

When police locate Sheridan to inquire about Elliott, we see a woman with a prickly shell of indifference. Her husband is missing? She shrugs her shoulders: “If he wants to run away, that’s his business.” She seems to know very little about her husband, which the police inspector (Robert Keith) interprets as a reluctance to talk.

Keith: “Please answer the questions. That is, if it doesn’t hurt.”
Sheridan: “Why should it hurt me? It’s all past and done with. If you want to snoop into the remains of our marriage, that’s up to you.”

But when Keith mentions her husband was shot at by the murderer, Sheridan is genuinely shocked. However, she quickly squashes this concern and shrinks back into her What-Do-I-Care demeanor.

Dennis O'Keefe and Sheridan give police the slip. Image: Music Box Theatre
Dennis O’Keefe and Sheridan give police the slip. Image: Music Box Theatre

Sheridan convincingly alternates between callousness and compassion. When Keith tells her, “I think [your husband] is running away from you,” she orders him, with real anger, to get out. Then, in the next moment, she slips into apathy as easily as one might slip into a sweater.

Yet, when she meets a reporter (Dennis O’Keefe) casting about for a lucrative story, she begins to relax and becomes a different person. She reminisces about the early days with her husband, and we realize she’s still in love with him.

This, then, is the real mystery: What happened between these two people? How did Sheridan’s character become so hurt and bewildered that she labours at being aloof?

If Sheridan’s marriage were to be a landscape, it would be a murky, chilly swamp, filled with shadows that distort motives.

You could say it’s marriage as film noir.

Sheridan is asked to identify a corpse. Image: Hell on Frisco
Sheridan is asked to identify a body. Image: Hell on Frisco

We get a glimpse of what Sheridan’s inner world might look like when she goes to an amusement park at night to search for her husband.

It’s one of the best scenes in the film. It’s dark and creepy at the fun park and, while we watch a frantic Sheridan, we hear the thunderous wheels of a roller coaster and the passengers’ screams above her. In other films, a roller coaster is a place of excitement and romance, like the early days of marriage. But not here. The roller coaster trestles loom above her, patrons’ screams mock her. It’s a picture of fear and failure. Welcome to her life.

Sheridan was 35 when Woman on the Run was released. She was enjoying a comeback in the early 1950s, but her film career would not survive the decade. The tragedy is Ann Sheridan had real talent, as this absorbing film proves.

Exciting News

Our friends at Flicker Alley, in conjunction with the Film Noir Foundation and UCLA Film and Television Archive, are releasing two gorgeous films noir on Blu-ray and DVD. Click on the links below for details.

Detectives and Dames

Woman on the Run: starring Ann Sheridan, Dennis O’Keefe, Robert Keith. Directed by Norman Foster. Written by Alan Campbell & Norman Foster. Fidelity Pictures, Inc., 1950, B&W, 77 mins.



  1. This sounds really good, Ruth! I really enjoy mysteries, and this sounds like it would keep you on the edge of your seat. The part that takes place in the amusement park sounds very intense. I love how you describe Sheridan’s emotions that seem to go back and forth instantly. I hope to see this one soon!

    Liked by 1 person

  2. I am thrilled about the remastered versions of this excellent film. The DVD copy I have is a real mess, but it was a real find in a bargain bin for $2 (Anne Sheridan and Dennis O’Keefe were the draw). Thus, the screencaps on a post I did on this movie last year are grainy and dismal. I’ve been sitting here staring with awe at the wonderful shots you provided along with your excellent review. I know you will get many more people interested in “Woman on the Run”.

    Liked by 1 person

  3. It’s great this thriller has got a blu Ray release. A great part for Ann Sheridan. Have you seen her in The Unfaithful. another favorite of mine.
    Robert Keith is also very good as the cop.

    Liked by 1 person

  4. How very, very intriguing! I’ve always liked Ann Sheridan as an actress, but have only seen her in more humorous roles. The idea of “marriage as film noir” and that the protagonist is a woman sounds quite unique.

    Liked by 1 person

  5. I love Ann Sheridan. There was something so down to earth about her. A shame she got tagged as a “sweater girl” in the 40’s. I saw this on Amazon Prime. I will be interested in catching the new release. Am hoping for a commentary by Eddie Muller!

    Liked by 2 people

  6. I came across this while casting about for film noir blog entries. Very interesting movie, and one I should try to find.
    If you are interested in doing more film noir entries I just announced a Film Noir Blogathon on my blog.

    Liked by 1 person

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