“When I was a kid, I came to this theatre to watch cowboy movies.”
An audience member mused about her childhood prior to a screening of the classic western, The Man Who Shot Liberty Valance (1962). The film was shown last weekend at The Capitol Theatre in Port Hope, Ontario.
The Capitol was the site of the 26th Annual Vintage Film Festival (VFF), hosted by the Marie Dressler Foundation. Films shown during the three-day event included the Marx Brothers’ Duck Soup (1933), Charlie Chaplin’s City Lights (1931) and Alfred Hitchcock’s The Birds (1963).
The Capitol, which was designated a national historic site in 2016, originally opened in 1930. It was the first theatre in Canada built specifically for talking pictures.
The acoustics are marvellous, meant for dramas like The Umbrellas of Cherbourg (1964), a French film that is entirely sung. Or comedies like The Patsy (1928), shown with live piano accompaniment by Jordan Klapman.
VFF has the best attributes of a successful film festival: good movies, friendly volunteers and Must-Have swag.
Festival Chair Terry Foord has been with VFF from the Start.
Foord, who jokes about seeing some of these films in the theatre when they were first released, believes movies are historical documents offering insight into earlier generations.
“For example, how did [older generations] address racism?” he asks. “How did they treat women?”
Foord’s involvement with VFF began with the establishment of the Marie Dressler Foundation. He doesn’t refer to himself as a film scholar; he says he learned about classic film from other Foundation members who taught cinema studeis.
Cathie Houston, Past Chair and current promotion guru, says the early VFF concentrated on “the Marie Dressler Cannon”. But, as fabulous as Dressler is, a Steady Diet of her films can take a festival only so far.
Although the format has broadened over the years, the focus remains on films from Hollywood’s Golden Era.
The VFF also holds an annual silent auction, chaired by Houston, proceeds of which are awarded to post-secondary students studying performing arts.
“We award four $1500 bursaries per year,” she says, noting there are plans to expand the program.
Now, you’re probably wondering what all of this has to do with classic Hollywood actress Marie Dressler.
It began when a restaurant caught fire.
Early on a January morning in 1989, a fire was discovered in a restaurant in Cobourg, Ontario. The restaurant had been in operation since the 1930s, when it was converted from a private residence.
The residence was where Marie Dressler was born and had spent her early childhood.
Some prominent community members began a fundraising drive to rebuild the house in honour of the actress. This became the Marie Dressler Foundation.
Cathie Houston says fundraising for the Foundation included events like Dinner and a Movie, until the year committee members went to Syracuse, NY, to see how a film festival was organized. “We realized we could do that,” she says.
The first VFF was in 1993. As it grew, it eventually relocated to The Capitol Theatre in neighbouring Port Hope.
And Dressler’s house? It’s now a fully-interactive museum designed by master’s students from the University of Toronto. This museum “reboot” opened in 2016, and is an engaging tribute to the Oscar-winning actress.
So. Is Marie Dressler really worth all this activity? You bet she is.
“By 1930, now in her 60’s, Marie was a household name,”says Rick Miller, President and Chair of the Marie Dressler Foundation. “[She was] an Academy Award winner in 1931, and the world’s top-grossing actor in both 1932 and 1933.”
This was after her success on Broadway and in vaudeville – and despite being blacklisted for her support of striking chorus players.
“She had angered Broadway management in 1919 when she served as President of the Chorus division of Actor’s Equity and was in effect blacklisted,” says TCM.com. “For several years she was unable to get stage or film roles.”
Dressler wasn’t considered a classic beauty, but she had guts, determination and talent.
“I respect her hard work and perseverance,” says Miller. “She was self-made.”
You can’t help but love Dressler on the screen, even when she’s a bit hammy.
Look at her performance in Politics (1931), one of the films at this year’s festival. Dressler plays a woman Fed Up with crime in her city, and when she’s dismissed as “a silly woman”, she decides to run for mayor.
Her character is brave and resolute, someone who confronts corrupt politicians No Matter What.
By all accounts, Marie Dressler was this gutsy in real life. No wonder she’s the patron saint of Canada’s long-running vintage film festival.