Let us be clear about one thing: We adore Edward G. Robinson, and we cannot abide anything negative said about him.
One reason for our adoration is his performance in the 1935 comedy, The Whole Town’s Talking, where Edward plays two characters: (1) a ruthless gangster who has just escaped from prison; and (2) a submissive office clerk who lives with a canary and a cat. Dual Edward is utterly convincing in both roles.
The plot: A subservient office clerk is arrested by police when he is mistaken for Public Enemy No. 1. Poor Office Edward has a time of it at the police station, trying to convince police he’s not the man they’re looking for. Happily, Office Edward’s supervisor arrives at the station and makes a positive ID.
Unhappily, though, Office Edward becomes a minor celebrity due to his striking resemblance to Gangster Edward. He is given a special “Police Passport” so he won’t be arrested again.
Of course, when Gangster Edward realizes he has a twin – with police protection! – he decides to move into Office Edward’s apartment. Here he can come and go unnoticed with the use of the Police Passport. He’s really living the life now; he sleeps by day and robs banks at night.
Things do not look hopeful for Office Edward, as he is bullied and browbeaten by his unwelcome roommate. However, Office Edward has a powerful ally – his lippy, couldn’t-care-less co-worker (Jean Arthur).
Jean Arthur is delightful in this film, as she always is, but we don’t want her interfering with our Dual Edward gush-a-thon.
As the docile clerk, Office Edward tugs at your heart. He works an adding machine with precise, deliberate motions; he is careful not to intrude in others’ personal space; he speaks hesitantly, with a slight stutter. He is orderly, self-effacing and completely endearing. When police arrest, then release him, he apologizes for causing them “all this trouble”.
But as the malicious criminal, Gangster Edward scares us. When a tipsy Office Edward comes home one evening, he is startled by Gangster Edward, who has broken into his apartment to wait for him. Office Edward stops abruptly, and we do too. Here is the gangster we’ve heard so much about, fresh from prison, seated – almost coiled – in a chair, with a look of I’ll-kill-whoever-I-gotta determination on his face, his eyes practically glinting like sharpened steel. It almost makes your blood run cold.
So convincing is Dual Edward in these roles that you’re persuaded you’re watching twins and not one man. We’re able to enjoy both Office and Gangster Edward at the same time thanks to split screen, a technique developed in the silent era.
The Whole Town’s Talking reminds us why Edward G. Robinson was so famous. Not only was he a superb actor, he knew how important it was to give an audience their money’s worth.
If you haven’t yet seen this film, we plead with you to watch it immediately. You’ll become a lifelong member of the Dual Edward Fan Club.
The Whole Town’s Talking: starring Edward G. Robinson (x2), Jean Arthur, Arthur Hohl. Directed by John Ford. Written by Jo Swerling & Robert Riskin. Columbia Pictures Corp., B&W, 1935, 95 mins.
This post is part of the Dueling Divas Blogathon hosted by the lovely & talented Backlots. Click here to see the other contributions to this event.