Gordon MacRae's pimped-out surrey, with a fringe on top. Image: lsdkjf askdjf

Gordon MacRae’s fully-loaded surrey, with a fringe on top. Image: Los Angeles Times

You would have a skewed view of life if you only watched musicals.

For example, look at the recently-restored Rodgers and Hammerstein western-comedy musical, Oklahoma! (1955). This film is about a group of farmers and ranchers in turn-of-the-20th-century Oklahoma, who hold a box lunch social to raise money for the schoolhouse roof.

This film makes it look like these farmers and ranchers have nothing to do but sing and dance and make merriment. In one scene, a train pulls into the station and everyone on the station platform suddenly – and without warning – leaps into a impromptu hoedown.

The rustic Oklahoma in this film looks gla-mor-ous. Men’s tailored shirts are neatly pressed, and women’s Orry-Kelly gowns dresses are made of sumptuous fabrics. Life is so effortless, folks do their chores while wearing crisp, white clothes. There’s not a drop of sweat in sight.

You’ll notice a lot of dancing in this Oklahoma, even interpretive dance where themes of innocence and exploitation are examined.

The villain in this neck of the woods is played by Rod Steiger, a surly and vaguely creepy man who is the only one in the film with grime on his clothes. He lusts after young Shirley Jones (in her film debut) and resents the cowboy Gordon MacRae for wooing her.

You could be forgiven for thinking these are simple, unsophisticated folk. Indeed, the film opens with MacRae (in a glorious CinemaScope tracking shot) riding his horse along a row of corn, underneath a dazzling blue sky. He sings about the beautiful morning and a “bright golden haze on the meadow”.

Basic, wholesome people living a basic, wholesome life? Not so fast, partner.

The marvels of Kansas City. Image: alksdj faksdj f

The marvels – wholesome and unwholesome – of Kansas City. Image: Dusted Off

What really makes this film, besides the wardrobe and the scenery, is the song lyrics. The clever lyrics easily outpace the script in wit and innuendo.

Notably, the songs seesaw between the conflicted feelings of the characters. For example, a man sings about his visit to Kansas City and, alternating between amazement and disapproval, he describes life in the prosperous, fast-growing burg:

Everything’s up to date in Kansas City
They’ve gone about as far as they can go!
They went and built a skyscraper seven stories high
About as high as a building ought to grow.

He then goes on to detail, with a twinkle in his eye, various other sights including a burlesque show.

In another scene, MacRae confronts the surly Steiger with a song that swings between threats and flattery. MacRae suggests no man will be more highly praised at his own funeral than Steiger himself:

He’s looking oh so pretty and so nice
He looks like he’s asleep.
It’s a shame that he won’t keep,
But it’s summer and we’re running out of ice.

That’s a bit twisted, no? MacRae is taking chances, singing this kind of stuff to the temperamental Steiger.

In another scene, Gene Nelson proposes to his girlfriend (Gloria Grahame), although she doesn’t really want to settle down. After the he proposes, Grahame replies:

But if a wife is wise, she’s gotta realize
That men like you are wild and free …
Stay up late and don’t come home till three
And go right off to sleep if you’re sleepy.
There’s no use waiting up for me!

Oklahoma! won Academy Awards for Best Music and Best Sound, and raked in $6.8 million at the box office that year. We think you’ll enjoy this cheeky, light-hearted tribute to the 46th state of the union.

Oklahoma! starring Gordon MacRae, Gloria Grahame, Gene Nelson. Directed by Fred Zinneman. Written by Sonya Levien & William Ludwig. Magna Theatre Corp., 1955, B&W, 145 mins.

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Happily blogging about old movies and using the royal "We".

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