Returning the engagement ring. Image: IMDb

What would you do if you unexpectedly inherited a million dollars?

Would you put it towards your children’s education? Donate it to charity? Or would you spend the whole thing frivolously, because Why Not.

Sadly, $1 million doesn’t go as far as it used to, as we were reminded when watching the screwball comedy, Brewster’s Millions (1945). In the movie, $1 million has the spending power of $17.5 million in today’s inflated dollars, believe it or not.

You’ve probably seen a version of this movie, or the stage play, or read the book these were based on, and you likely know the story of Monty Brewster, a young man who gains – and must spend – an Unexpected Windfall.

In the 1945 film, Dennis O’Keefe plays Brewster, a WWII solider returning home to his mother and fiancée (Helen Walker). O’Keefe is Flat Broke, but full of optimism now that the war is over and he’s lived to Tell the Tale.

Imagine his delight, then, when he learns a distant relative has left him EIGHT MILLION DOLLARS! However! There’s a catch. He must spend $1 million before his 30th birthday in two months, and it all must go. There can’t be a single dime left, or he’ll be disqualified.

Why spend the million bucks? O’Keefe’s deceased uncle felt spending money to excess would make a person sick of it – much in the way a person would get sick of chocolate pudding if they ate too much. (Just kidding. As if that could ever happen.)

Alas, there’s another catch: O’Keefe cannot acquire any assets. He must have Nothing to show for the million clams.

Also: He cannot tell anyone About This because – you guessed it – that’s another deal breaker.

Have we got a proposition for you! Image: IMDb

It sounds easy, spending a whole wad of moola in 60 days, but it ain’t so. A mere week into the wild spending, O’Keefe discovers he’s actually making money.

Even worse, he has to delay marrying the lovely Walker, due to any material assets she might innocently acquire.

No matter! O’Keefe embarks on a mad shopping spree – rents luxury office space, hires people to do nothing, invests in a lousy stage production – and his friends, along with the beleaguered Walker, fear he’s Losing his Marbles.

Unbeknownst to him, O’Keefe’s pals implement Cost-Cutting Measures behind his back, because he’s mowing through the lettuce at an Alarming Rate.

Interestingly, O’Keefe’s friends never take advantage of his ludicrous generosity. They see it as a duty of friendship to protect him from himself. They do not siphon his loot; they shore it up, re-invest it, funnel it back to him.

Honestly, what’s a guy gotta do to unload a million beans around here?

How much did THIS cost? Image: FilmFanatic.org

Brewster’s Millions asks you to suspend disbelief, and you must if you’re going to enjoy this crazy film. But there is a lot to enjoy, with an Oscar-nominated score and some very funny lines.

For example, during a sadly profitable day, O’Keefe groans, “I’ve gotta find some way to spend money. I can’t afford this.”

In another scene, Eddie “Rochester” Anderson, lists some of the ridiculous VP titles in O’Keefe’s shell company. There is a Vice President in Charge of Special Investments, for instance, and Anderson himself is the Vice President in Charge of Switchboards. “All we need now is a Vice President in Charge of Vice Presidents,” he deadpans.

Which brings us to this movie’s infamy. It was banned in a certain American state because Anderson, a black man, was too “familiar” with white characters and enjoyed too much “social equality”.

So, is Brewster’s Millions the best comedy of 1945? No, but it is a lighthearted romp that mirrors the idealism of post-war America.

Besides, if you’ve ever wanted to vicariously experience an outlandish shopping extravaganza, this might be the movie for you.

This post is part of the ON THE SPOT BLOGATHON, hosted by Taking Up Room.

Brewster’s Millions starring Dennis O’Keefe, Helen Walker, June Havoc. Directed by Allan Dwan. Written by Siegfried Herzig, Charles Rogers & Wilkie Mahoney. Edward Small Productions, 1945, B&W, 79 mins.

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