Ray Milland as Captain Bulldog Drummond. Image: IMDb

Here’s a strange thing we noticed about Welsh actor Ray Milland.

You may know Milland as the cold, calculating villain in Alfred Hitchcock’s Dial M for Murder (1954), or as the alcoholic writer on a bender in The Lost Weekend (1945).

Milland is not as well known as he ought these days, but Back Then, he was an actor to watch. He began his Hollywood career in lighter movie fare at Paramount in the 1930s, but after the success of The Lost Weekend – for which he won an Oscar – he became that studio’s highest-paid actor.

Before any of this success, and during those early Hollywood days, he starred in a snappy thriller, Bulldog Drummond Escapes (1937). Drummond, the titular character, is a “gentleman adventurer”, a WWI veteran who spends his time getting into – and out of – dangerous escapades whilst solving mysteries.

The 1937 film version isn’t the first Bulldog adaptation; Hollywood started making these movies in the early 1920s. (Some of the notable actors who played Drummond include Ronald Colman and Ralph Richardson.)

Milland starred as Captain Hugh “Bulldog” Drummond just once, in a movie that has, sadly, stumbled into the public domain badlands.

As you know, movies in the public domain can be of poor quality, and Bulldog Drummond Escapes is no exception. We found two versions on YouTube, each as bad as the other. In fact, parts of the movie are nearly unwatchable.

However, it is this quality that, weirdly, helps showcases Milland’s impressive screen qualities.

Look out, Bulldog! Image: tvinsider.com

Bulldog Drummond Escapes is a piquant thriller with lots of British-isms. When we first meet Bulldog, he’s landing a plane, at night, on a short runway, in front of several reporters and photographers. As he gets out of the plane, he shrugs off his perfect landing + accolades from the crowd, then rushes to join a friend at a country estate.

This tells us everything we need to know about Our Hero: his thirst for adventure, his loyalty to his pals, his considerable skill sets, and his disdain for flimflam. We know Drummond is going to deliver Excitement.

We also know the bad guys had better mind their Ps and Qs.

Happily for Drummond, he meets a lovely gal (Heather Angel) who is, unhappily, On The Lam from a small group of spies. She’s smart and resourceful, but is still recaptured by said spies and is taken to the (foreboding-sounding) Greystone Manor. Drummond tries to free her, but likewise ends up a prisoner.

Like any good thriller, this film has mistaken identities, much derring-do, and people brandishing weapons at inopportune moments.

Frankly, we (yours truly) found the plot rather muddled, due to the sloppy handling of this film over the years. Some scenes are so dark it’s hard to tell what’s going on, while notes handwritten on white paper are so bright, they’re impossible to read.

But Ray Milland, though. Even with the fuzzy images and poor reproduction, Milland’s charisma cannot be diminished. Every actor in this film is superb, but our young Milland is obviously destined to be a Star. Not even neglectful public domain exploits can diminish his light.

It’s almost as though he’s in a different movie, as if the poor quality is deliberately designed to make him look stellar.

An unfortunate discovery. Photo by Moviestore/Shutterstock (1553076a)

The slide into public domain-dom began when Paramount sold this film, along with seven other Bulldog titles, to Congress Films (II) in the mid 1950s. Congress carefully removed any Paramount fingerprints, including their copyright info, before selling it to Governor Films to show on television. In all of this, copyrights were never renewed.

As for Milland, the first Welshman to win an Oscar, he is the subject of a new biography to be released later this year by UBC Press. And it’s about time. Details about his early life are conflicting – at least in our superficial online searches. For example, sources agree that he had, as a very young man, trained in the venerable Household Calvary of the British Army. However, they disagree about why he left; some say his father (or step-father) cut off his allowance, while others say he bought his way out.

At any rate, this was when he began acting in British films, which led to a contract with MGM then, eventually, Paramount where he worked for about 20 years.

Milland has over 180 film and television credits as an actor, as well as 12 credits as a director, which ain’t bad for a 60-year career.

We hope you’ll have the chance to see Bulldog Drummond Escapes, but we implore you to find a decent streaming version – and if you do, please let us know where you found it.

This post is part of THE THIRD “FAVORITE STARS IN B MOVIES” BLOGATHON, hosted by Films from Beyond (dot) com.

Bulldog Drummond Escapes starring Ray Milland, Guy Standing, Heather Angel. Directed by James P. Hogan. Written by Edward T. Lowe Jr., Herman C. McNeile & Gerard Fairlie. Paramount Pictures/Congress Films, 1937, B&W, 67 mins.

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Happily blogging about old movies and using the royal "We".

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