Clifton Webb and Barbara Stanwyck pretend not to argue. Image: IMDb

To date, there have been nearly 20 feature films about the Titanic, three of which were made in 1912, the year of the disaster. Rumour has it the first film was co-written by a survivor, released just 29 days after the vessel sank.

We just watched a version from 1953, titled, simply, Titanic, starring Clifton Webb and Barbara Stanwyck. The pair star as an unhappily married couple who are Done. Without telling her husband, Stanwyck’s character has packed up the children and boarded the Titanic to Start Over in America.

Webb plays a haughty, manipulative, and wealthy businessman who will not be outdone by anyone – even Barbara Stanwyck – and he wrangles his way aboard the vessel with the intention of returning his children to Europe.

We understand filmmakers put this miserable couple on the Titanic because the doomed ship is metaphoric of their relationship. But they aren’t the only passengers to which we’re introduced. We also meet a priest with a secret, a couple of Astors, and Thelma Ritter as a Montana mining magnate.

In the midst of this, director Jean Negulesco reminds us of European émigrés on the ship, as well as the personnel it takes to keep the thing afloat. We see wait staff, men shoveling coal, wireless operators, and officers navigating icebergs.

He presents the ocean as the equalizer between rich and poor, on this voyage to disaster.

The captain in the moment of realization. Image: IMDb

The 1953 Titanic is an excellent film, and we feel a bit ashamed for having taken so long to see it. The script is thorough yet efficient; it never drags. It’s well cast, and the acting is even better.

Stanwyck and Webb seem, on the surface, an odd choice to play the fractious couple, but they convince us of their weariness for one other. Their arguments are smooth vitriol. “Twenty years ago I made the mistake of thinking I could civilize a girl who bought her hats out of a Sears Roebuck catalogue,” says Webb, and he could not be more disdainful.

Yet, both adore their children, although Stanwyck seems to have the more grounded parenting approach.

For example, on the first evening in the ship’s dining room, her spoiled daughter says, “Mamma, you should have protested. This is a really bad table. There’s not a person we know at this end of the room.” Stanwyck replies, “Be brave. Sometimes these tragedies happen in life.”

Our knowing the Fate of the ship increases our anxiety for these people. We subconsciously add meaning and foreshadowing to their words: Don’t they know they have such little time left? And: Who among them will survive?

Spoiler! Stanwyck’s character manages to escape in a lifeboat, and she gives us an exquisite moment. As the ship sinks, the orchestra begins to play, and she, hearing the music across the water, looks back at the Titanic with a mix of grief, disbelief, and horror.

This is one of many poignant moments in the film. Negulesco never gives the impression of exploiting his characters for spurious sympathy.

On the set of Titanic. Image: Reddit

Titanic (1953) has been criticized for historical inaccuracies. Filmmakers claimed the film was “60 per cent truth.”¹ The film defends itself with a title card: “All navigational details of this film – conversations, incidents and general data – are taken verbatim from the published reports of inquiries held in 1912…” Make of it what you will.

Stanwyck herself was struck by the scope of the tragedy whilst filming a scene in a lifeboat.

“The night we were making the scene of the dying ship in the outdoor tank at [the studio], it was bitter cold. I was 47 feet up in the air in a lifeboat swinging on the davits. The water below was agitated into a heavy rolling mass and it was thick with other lifeboats full of women and children. I looked down and thought: If one of these ropes snaps now, it’s goodbye for you. Then I looked up at the faces lined along the rail – those left behind to die with the ship. I thought of the men and women who had been through this thing in our time. We were re-creating an actual tragedy and I burst into tears. I shook with great racking sobs and couldn’t stop.”²

This film won an Oscar for Best Screenplay, and was nominated for Best Art/Set Decoration in Black and White.

If you haven’t seen this version of the Titanic story, we urge you to do so. It’s a disaster movie, yes, but also a thoughtful, underrated treasure.

This post is part of THE TITANIC IN POP CULTURE BLOGATHON, hosted by Taking Up Room.

Titanic starring Clifton Webb, Barbara Stanwyck, Robert Wagner. Directed by Jean Negulesco. Written by Charles Brackett, Walter Reisch & Richard Breen. 20th Century-Fox Studios, 1953, B&W, 98 mins.

Sources

¹WIkipedia. (Retrieved July 17, 2025.) Titanic (1953 film).
²IMDb. (Retrieved July 17, 2025.) Titanic Trivia.

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