Sometimes movies are unfairly unsympathetic to people In Charge.
If you’ve ever been In Charge of something, you know what we mean. You’re working on a big project with an impossible deadline, when a crucial team member announces they’ve Met Someone and are moving away.
It really takes the air out of your tires.
Friderici, who died the year after this film was released, is superb as the humourless, pursed-lip nurse who is forever giving speeches about “disgracing” the Nurse’s Uniform. She’s in charge of nursing volunteers: young, unmarried women, many of whom are away from home for the first time and don’t necessarily have formal nursing training.
Friderici’s character is disliked and feared, and for good reason. If a nurse ends up “in trouble”, Friderici must dismiss the girl. It’s her job to enforce the Regulations.
A Farewell to Arms is the first of three Ernest Hemingway novels to be adapted to screen, and this one was adapted twice. Hemingway reportedly disliked the 1932 version, but he didn’t prevent Hollywood from having another go at it in 1957.
They are introduced through Cooper’s Italian friend (the scene-stealing Adolphe Menjou). Cooper takes Hayes for a walk to a bombed-out church, where he tries to kiss her. She slaps him in a what-kind-of-a-girl-do-you-think-I-am way, but then changes her mind (because who wouldn’t). She invites him to kiss her, and he obliges, politely, but then kisses her again, hungrily.
This kiss leads to all sorts of things – a personnel transfer, an injury, and an unexpected pregnancy. You could say it’s the Kiss Of Doom.
We (as in, yours truly) can’t decide if we like A Farewell to Arms. Hayes is charming as the idealistic young Englishwoman, and Menjou infuses his scenes with much-needed energy.
Director Frank Borzage’s artful images are moving. His war montage nearly takes your breath away, and he laces scenes with sounds of dropping bombs, which unnerve us more than his characters.
Still, we wonder about our gal, the head nurse, the Nursing Uniform’s last line of defence. She offers a glimpse of how difficult it must have been to train and protect young women in this war.
When Hayes becomes pregnant, she quits nursing to go to Switzerland, sparing Friderici the trouble of firing her. Then Cooper bolts from Italy to follow Hayes.
Meanwhile, the wounded pile up. One can imagine Friderici being pulled into a Meeting and being asked some pointed questions. How come she’s not faster at getting men back in the trenches, and why is she requesting new personnel again, and why can’t she keep those blasted girls in check?
No wonder Friderici’s character has a stern, disapproving countenance. A lesser mortal would be staggering around hospital corridors in a drunken fog.
You’ll have to see the film to decide for yourself. Many say A Farewell to Arms is one of the most romantic pre-code movies ever made. If you love a desperate romance in troubled times, this may be the film for you.
- For a kinder, more literary review of A Farewell to Arms, see Girls Do Film HERE.
- For the 1932 New York Times review, click HERE.
- You can read more about nurses in WWI HERE.
A Farewell to Arms: starring Gary Cooper, Helen Hayes, Adolphe Menjou. Directed by Frank Borzage. Written by Benjamin Glazer & Oliver H.P. Garrett. Paramount Productions Inc., 1932, B&W, 80 mins.
This post is part of the A Kiss is Just a Kiss Blogathon hosted by Second Sight Cinema. Click HERE to see all the fab entries.