Every year, the fab Raquel at Out of the Past issues a Summer Reading Challenge, the goal of which is to read six books related to classic film. (See details HERE.)

Turns out we have a gazillion unread books on Old Hollywood. Thanks to Raquel, we’ve cleared up some of our reading backlog – and became more of a Classic Film Smarty Pants.

Here are the books we read, and now our head hurts.

“[A] well-documented source of who wore what when,” says Vogue.

Indeed. Although Hollywood Jewels: Movies, Jewelry, Stars is filled with gorgeous photographs, it’s also a terrific resource on the jewellery of classic Hollywood and its influence on American fashion.

Did you know, for example, women in the 1930s wore gold during the day and platinum in the evening? We didn’t either, and now we have to re-organize all our jewels.

The book contains an entire chapter on Elizabeth Taylor’s jewellery, calling it “the most exceptional jewellery collection ever assembled by a Hollywood star.” No other collection in the book is given such breathless attention; however, the collections of Joan Crawford and Gloria Swanson are a distant second.

Speaking of Gloria Swanson…

“In the summer of 1939,” writes Gloria Swanson, “I bought a new hat and went to California to cry at my daughter’s wedding.”

Swanson on Swanson is an utterly engaging memoir. Swanson is like a colourful, eccentric relative about whom you’ve heard your whole life, and when you finally meet her in person, you are not disappointed.

Swanson is most famous today for her role as Norma Desmond in Sunset Boulevard (1950), but she was also a wildly popular film star in the 1920s.

The stories! Swanson regales us with witty and shrewd observations about her clothes, her travels and her Hollywood cohorts, such as director Cecil B. deMille. (“He wore his baldness like an expensive hat,” she says, “as if it were out of the question for him to have hair like other men.”)

Swanson on Swanson is bursting with amusing anecdotes. Perhaps events didn’t unfold exactly as Swanson has portrayed them, but with stories like these, who cares?

This is one of the best, most comprehensive books we’ve ever read on Classic Hollywood filmmaking.

Moviemakers of Hollywood’s Golden Age is a series of discussions with directors, cameramen and producers, including Billy Wilder, James Wong Howe, Federico Fellini and Alfred Hitchcock. The conversations transcribed in this volume were held at the American Film Institute (AFI) from the late 1960s to the early 1980s.

It’s a chunky book. Filmmakers give us heaps of valuable information, such as How To light a scene, organize a shoot and deal with actors. It’s like an intense Film Studies program.

If you have an interest in making movies, we urge you to get this book. It’s an incredible resource.

“Sound changed everything,” writes Scott Eyman. “It changed how movies were made, of course, but more importantly, it changed what movies were.”

The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930 by Scott Eyman is a well-researched and sympathetic examination of Hollywood’s transition to sound. Eyman puts this transformation into perspective and shows us what a Game Changer it was.

He also explains how difficult it was to make movies during this tumultuous period.

“This was madness, life in movie-making hell,” he writes. “That any good movies were made at all amid such conditions of physical claustrophobia, narrative obfuscation, and an unimaginably confusing technical nightmare of crossed cables and purposes was a heroic feat.”

We’re not sure when the term Matinee Idol originated, but author David Carroll says by the early 1800s, theatre audiences were paying more attention to actors than material. It also became evident melodrama was ideal for some of these thespians.

“Melodrama was a perfect medium for the beautiful but untalented actor,” he notes, “an ingenious invention that used action-packed stories and heaps of candied romance to conceal the idol’s inability to act.”

The Matinee Idols discusses (1) idols of the stage, who were supplanted by (2) idols of the screen.

Carroll discusses the cultural impact of Rudolph Valentino and the tragic end of John Barrymore, as well as the enduring screen influence of Douglas Fairbanks.

“This was Fairbanks’ ultimate magic,” he writes, “he sold himself as a typical American male and then made this American male into a demigod, thereby flattering a nation by making the normal seem extraordinary and the super normal seem ordinary.”

“‘I’m learnin’ one thing good,’ she said. ‘If you’re in trouble or hurt or need – go to poor people. They’re the only ones that’ll help – the only ones.'”

So says Ma Joad, the matriarch of the Joad family in John Steinbeck’s classic novel, The Grapes of Wrath.

The Joads are sharecroppers, booted off their land in Oklahoma, making a desperate trek to California to find work. When they arrive in the land of plenty, they discover migrant workers are second-class citizens, subject to cruelty and corrupt hiring practices.

The novel Created An Uproar when first published; it had a polarizing effect on Americans.

According to Martin Shockley in American Literature, XV (January, 1944), “the Associated Farmers of Kern County, California, denounced the book as ‘obscene sensationalism’ and ‘propaganda in its vilest form'”. However, says Shockley, “With such publicity, The Grapes of Wrath sold sensationally in Oklahoma bookstores.”

The 1940 film adaptation of the novel, starring Henry Fonda, won two Academy Awards.

Now. What did you read this summer?

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Happily blogging about old movies and using the royal "We".

36 Comment on “What We Read on our Summer Holiday (#ClassicFilmReading)

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