“Teenagers” Gene Persson and June Kenney caught in a giant spider web. Image: IMDb

The misleading thing about the title of Earth vs. The Spider (1958) is this: A giant spider does not attack the entire planet. It attacks one American town.

Naturally, it’s a relief to discover one spider can’t tackle the whole planet – at least, not as far as we know – but you also have to admit it’s a little disappointing.

Yet, the best thing about Earth vs. The Spider is it doesn’t explain how a giant spider came to Be. It simply shows up, wreaks havoc, and dares the townsfolk to deal with it. We’re thankfully spared pseudo-scientific lectures about mutant nuclear isotopes, etc.

Like all engaging monster films, the script focuses on the townsfolk and how they’re affected by the giant arachnid. There are lots of “teenagers” in this film, played by actors in their 20s and 30s.

We’re primarily concerned with two high school students (June Kenney and Gene Persson) whose relationship is Put to the Test when Kenney’s unreliable father suddenly disappears.

Kenney and Persson trace clues to a remote cave with a sign: NO TRESPASSING / DO NOT ENTER. The posted sign is, apparently, so effective no one has ever entered the cave voluntarily. Our teenagers might be the first to explore it!

However, inside the cave they discover a large spider with a taste for humans. We won’t get into the gory details, but we will say the spider is careful to leave a victim’s bones in proper skeletal formation.

The spider is menacing, indeed, and it’s left to a science teacher, a sheriff, and our plucky teens to defeat this monster.

Don’t grieve, darling. There’s homework to do! Image: IMDb

In some 1950s sci-fi/horror films, you have to overlook inconsistencies, and Earth vs. The Spider is no exception.

Look, for example, at the spider itself. Sometimes it’s black, sometimes it’s blond. The thickness of its legs also vary, but given its diet, bloating may be inevitable.

The movie’s Science Experts tell us spiders wrap their prey in a sack to eat later, but our spider pays no attention to experts. It has a Voracious Appetite, and it immediately devours people as soon as it catches them.

Unfortunately, the spider appears to be getting Smarter, and it eliminates those who pose the greatest danger. For instance, it figures out where the science teacher lives, and it goes after his wife and baby. It also makes Quick Work of a man fleeing to another city to get Help.

This is a film that is not, in any way, going to treat this monster situation seriously. There is one brief shot of a toddler, alone on a street, bleeding and crying, and just as you start to think about the gravity of the situation, the scene is cut, and we’re back to the rampaging arachnid.

There’ll be no pathos around here today.

The spider attacks the science teacher’s house. Image: IMDb

We (yours truly) feel a bit unsettled about labeling Earth vs. The Spider a So-Bad-It’s-Good film. Despite everything, it’s a truly entertaining flick, start to finish.

The effects are surprisingly good, even if they are a bit puzzling. Take, for instance, the sounds the spider makes. Sometimes it emits a creepy squeal, while other times it sounds like someone with digestive issues. But, again, that may be diet related.

According to Wikipedia, the budget for this film was $146,000 US ($1.5 million US today). Exteriors were filmed at Bronson Canyon in L.A.’s Griffith Park, and at the Carlsbad Caverns in New Mexico. The scenes inside the caverns are impressive in their other-worldliness, although you wonder how these underground caves developed such fabulous interior lighting.

Earth vs. The Spider was re-named The Spider, a more accurate representation of the plot, although the title wasn’t changed on the film itself. This not the first giant spider movie ever made, but it is one of the most fun.

Have you seen this movie? What did you think?

This is a contribution to The Sixth SO BAD IT’S GOOD Blogathon, hosted by Taking Up Room.

Earth vs. The Spider: starring Ed Kemmer, June Kenney, Gene Persson. Directed by Bert I. Gordon. Written by George Worthing Yates & Laszlo Gorog. Santa Rosa Productions, 1958, B&W, 73 mins.

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