We’re having a barrels o’ fun with Day 5 of the Classic Movie History Project. Today’s essays show a real passion for film history. Enjoy!
Sometimes making movies is difficult, whether it’s the bickering between the director and lead actor, or the harsh conditions while filming on location. Then there are the box-office bombs that keep studio executives awake at night. Movie Disasters is a loosely-defined look at Hollywood, uh, “missteps”.
Century Film Project: Intolerance (1916)
“I somewhat reluctantly placed this movie into the ‘Movie Disasters’ category,” writes Century Film Project. “The film is something of a darling of critics and film historians, and…has been seen as important and influential. The question of how, and whether, it ‘bombed’ is a somewhat thorny one.”
Moon in Gemini: The Preventable Box Office Failure of The Magnificent Ambersons (1942)
Moon in Gemini examines a “famous box office failure”, The Magnificent Ambersons. She argues, “[T]here’s a strong possibility its box office failure could have been prevented.”
The Last Drive In: Keep Watching the Skies! Science Fiction Cinema of the 1950s
Not all movie disasters are related to the box office; many deal with disasters themselves, as evidence in the marvellous sci-fi films of the 1950s. As The Last Drive In writes, these films included “benevolent visitors from space, dreadful beginnings, unknown worlds, funny men, lone survivors, invisible boxers and killer gorillas.”
The Midnite Drive-In: Debacle in the Desert
“[The Conqueror is] considered one of the worst movies of all time, and definitely the worst movie in which John Wayne was ever involved,” writes The Midnite Drive-In, “but John Wayne cannot carry the blame for this movie solely on his shoulders.”
Color has been used in film for well over 100 years. The Wonderful World of Color celebrates color innovators, along with larger-than-life color films. We’ll also examine different color techniques, such as tinting, hand-coloring, two and three-color film processes, and glorious Technicolor.
Movies Silently: Tinted and Toned Nitrate: Taste the Rainbow
Movies Silently shares her love of colour in early film. “The vast majority of all silent films had at least some sequences of color and most of that color came from tinting and toning,” she writes. “The techniques could set the mood, help tell the story or just help soften the black and white film.”
Reelweegiemidget Reviews: Nuns, Nazis and a Naval Captain
“The Sound of Music has everything,” writes Reelweegiemidget about the 1965 Technicolor wonder. “[S]inging nuns, a film advertisement from the Austrian Tourist Board, Nazis, a puppet show and even a naval captain of a landlocked country.”
The Lonely Critic: The Leopard
In discussing Technicolor, The Lonely Critic writes, “This process is not known for creating realism onscreen, but it allowed filmmakers to find a painterly beauty within their films, Luchino Visconti’s The Leopard is among such films.”
Back to Golden Days: The Restrained Mode of Color Design in The Trail of the Lonesome Pine (1936)
Back to Golden Days looks at the history of colour in film. “Despite its artistic potential, hand-painted film died in its infancy,” she writes. “By the mid-1900s, the average length of motion pictures had increased and the number of exhibition venues demanding prints had multiplied, making the process of coloring films…economically unfeasible.”
Tomorrow, Aurora at Once Upon a Screen will be hosting Day 6: The People (Family Business & A Foreign Affair).
Reblogged this on Once upon a screen… and commented:
Visit Silver Screenings for entries on The Movies…
I’m very sorry I didn’t manage to write my post this time – it seems my August is a bit messy since I signed up for way too many blogathons and haven’t had the time to write any of the posts, so I guess I’ll take a short break now! Have a great fun with the rest of the blogathon, hope to “see” you soon on another occasion!
LikeLiked by 1 person
No problem, Domi. Life gets busy sometimes. See you around the blogosphere soon! 🙂
LikeLiked by 1 person
Hi Ruth! My entry is now up. I’ve called it “The Restrained Mode of Color Design in “The Trail of the Lonesome Pine” (1936). I’m not sure if I was supposed to post it on a specific day, but with all the blogathons I signed up for in August and my recent wisdow teeth removal (which I’m still recuperating from), I kind of lost track of things a little bit. Anyway, here it is:
Thanks for hosting.
Wonderful! I’ll add it to the Day 5 recap later this evening. Looking forward to it!
P.S. Hope you have a smooth recovery. 🙂
Thank you. 🙂
You’re on the list! 🙂 I’m glad you were able to join us.